| The Rainforest Room
(designed by studio bau:ton opened 1999) |
| View
Floor Plan |
|
| SSL SL 4056E/G with G series automation,
48 E inputs, 8 G inputs |
| Sony PCM 3348 48-track digital recorder |
| Sony APR 24 2" 24-track/16-track
analog recorder |
| Panasonic SV 3800 DAT Fostex D20
timecode DAT Fostex E2 with center track SMPTE |
| Klark-Teknik DN-780 Lexicon 200
/ PCM-70 / PCM-42 |
| Yamaha Rev 7 / SPX-90 / SPX-90II
Eventide H3000 Loft 440 and Deltalab delays |
| UREI LA-4 (2) / 1176LN dbx 160x
(2) / 160VU (2) |
| Drawmer DS-201 Gatex 4-channel
gate Valley People Dual Dynamite |
| Summit Audio EQP-200 Stereo Tube EQ
EXR Exciter Orban De-esser |
| TAD TSM-1, B&W 5.1, KRK, and Yamaha
monitors |
| Microphones |
| U67 Tube*, U87, TLM170 and KM84's |
| AKG 414's, 452EB's w/ CK1 or CK5, and
D12E |
| RCA 77DX* E-V RE20 Sennheiser
421's Shure SM58's and SM57's |
| Beyer M160 Dual Ribbon and M69
Fostex M22RP Printed Ribbon MS Stereo Microphone |
| Digital Audio Editing
/ Mastering |
| Pro Tools | HD|3 With 192 I/O and Sync
Box |
| Video And Synchronization |
| Aurora FUSE Video Capture Digital
video playback JVC CR-850U 3/4" editing VCR |
| Additional Equipment
At Nominal Charge |
| Neve BCM 10/2 with 10 1073 EQ/mic pre's |
| Ampex ATR 102 with Flux Magnetics 1/2"
heads |
| Lexicon 480L with LARC AMS DMX
1580s Pultec EQH-2 tube tc electronic M2000 |
| Focusrite ISA 215 EQ/mic pre Summit
Audio EQP-200 tube EQ / TLA-100A tube compressor Speck EQ16-24
EQ |
| Aphex Dominator II Yamaha DX7IIFD
Akai S950 |
| Fender Twin Reverb Peavey Classic
50 Music and sound effect libraries |